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In the dusty lights of a deserted theatre a bored young woman makes a desperate decision, and the line between reality and fiction becomes perilously thin.

The stage is set. The performance will be captivating. But there are many more entrances than there are exits.

And what about you? Are you an audience member? Or a witness?

“If we shadows have offended, think but this and all be mended, that you have but slumbered here, while these visions did appear…”

Or so says Puck. But what if not everybody was pretending?

“The problem with life is there is just too much of it. You identify one thing and it leads to another. Nothing is simply one thing only…It’s like trying to read through a foreign thesaurus. You look up one word and you find another twenty…”

The lives of Alice, Cath and Patrick are thrown into disarray when their new build apartments are suddenly flooded. Only it’s not quite clear if that’s really where it started. Alice is tormented by a ghost from her past, and Cath by a more substantial one in her present. But whose fault is it? The predator? Or the prey? And which is which?

Easier, all round, to blame the river…

Clara would like to be invisible. She likes to fold herself into small spaces and hide. If she cannot hide, then she will run.

When she finds herself stranded on the moors in a storm, she takes shelter in the nearest village. But, as she begins to explore, her geography seems to shift and change. There doesnโ€™t seem to be a road that leads out. And she canโ€™t remember why sheโ€™s there. Was the storm outside, or in her head? What did she run from? And where or what is the village?

If Clara can answer that, there is a chance that she may not be so keen to leave.

And can she?